It’s a work of drama and fiction, unconcerned with documenting the sound of an age. Now rounding out its second season, the Euphoria mixtape favors one-off singles, deep cuts, and sounds of the past. The show’s music paints a fantasy of teen life rather than a faithful depiction of cool kids listening to cool tunes. An entire generation of viewers can’t hear Dashboard Confessional’s “Hands Down” without remembering One Tree Hill’s cinematic near-car-crash scene, or Imogen Heap’s “Hide and Seek” without imagining The OC’s Season 2 finale, or Peter Bjorn and John’s “Young Folks” without reciting the words, “Gossip Girl here.”Įuphoria is kicking off the next generation of teen soap soundtracks, prioritizing intensity over topical relevance, embracing the theatrical and taking creative liberties wherever possible. They benefited from a golden age of moody indie rock and the pre-blog-era excitement around music discovery. The folksy crescendos of Dawson’s Creek, which premiered in 1998, led us into the 2000s second wave, when teen soaps used music not just to capture a feeling, but as a premature time capsule, and sometimes even a plot point. ![]() In the ’90s, My So-Called Life and Buffy marked the first wave of teen drama soundtracks, alt-rock collections featuring the likes of Sonic Youth and the Cranberries. The question of what youth sounds like, though, has gone through a few iterations. Being young, the TV screen says, looks like dark rooms, troubled girls, lots of sex, awkward dances, and sketchy drug deals. Ahead, listen to every song featured on season two of "Euphoria.Give or take some vampires, the teen soap opera formula has remained fairly consistent. Other artists featured on the soundtrack include Lana Del Rey, James Blake, Noah Cyrus, Lil Xan, and more. Just a few days after the finale aired, "Euphoria" released its official season two soundtrack with a few fan favorites like Labrinth's "Yeh I F*ckin' Did It," as well as "Elliot's Song," which caused quite the stir in the final episode. It was all of that impulsive inspiration, you know?" " was like, 'Check out this scene, this is what we're talking about.' Then I, 'Hey lord, you know I'm tired.' And then she was like, 'Oh sh*t!,'" he added. ![]() ![]() "Don't let no one get in the way of what you're making, just do what you do.' It's like he's going to a record shop, and I'm the record shop." Labrinth even offered insight into how his song" I'm Tired" - which he sings to Rue in episode four - came together. ![]() "The main approach with most of the music on the show is Sam is like, 'Lab, just make what the f*ck you're making,'" he told Variety. Of the show's approach to music, "Euphoria" composer Labrinth touched on the creative process behind some of the songs viewers have raved over this season. Considering all the throwback tracks from 2Pac, Hall & Oates, Faith Evans, and more, the soundtrack for " Euphoria"'s second season sounds extremely grown for a bunch of Gen Z high schoolers - which complements the show's mature reputation. 9, fully expecting more great jams - and we certainly weren't disappointed as the show came to an end with its epic finale. Fans welcomed the premiere with open arms on Jan. HBO's " Euphoria" delivered all the iconic music we'd hoped to hear on the show in season two.
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